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Between River and Railway

by Claire Hastings

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1.
My great grandfather he worked on the land Between river and railway with horse and by hand A son and a grandson were eager to follow They all called it home for a life of tomorrows I remember it still, the house at Rosehill My mother would collect all the apples from the garden And all who stepped foot in the summer would have some The door always open for neighbours and friends Who’d arrive at midday but stay long after ten I remember it still, the house at Rosehill At Christmas time a man would appear by the clothes line My sister and I being young at the time Two pebbles for eyes and a scarf he would borrow We didn’t stop to think he’d be gone by tomorrow I remember it still, the house at Rosehill And now all the shoes they have gone from the door The Clydesdales and collies, they don’t work here anymore Through four generations, many decades and milestones We’ve all got our stories from the place we called home I remember it still We remember it still I remember it still, the house at Rosehill
2.
The Bothy Lads For they’re awfy lads the bothy lads Gin they get what they’re seekin They’ll pack a kist an they’ll gang an enlist An’ leave the lassies greetin When a wis noo but sweet sixteen Wi’ beauty just in bloomin Little little did I ken At nineteen I’d be greetin For the plooboy lads are gey braw lads But they’re fause an deceiving For they’ll tak a’ an they’ll gang awa An leave the lassie’s greetin If I had kent what I dae ken An ta’en my mither’s bidden Ah winna be sittin by oor fireside Cryin hushaby my bairnie Hushaba for I’m yer ma The lord kens wha’s yer daddy I’ll tak guid care an I’ll be aware O the young lads in the gloaming When a wis noo but sweet sixteen Wi’ beauty just in bloomin Little little did I ken At nineteen I’d be greetin
3.
Son of No One I am the son of no one Nobody’s for to claim No father and no mother To whom I owe my name It’s a thousand times and over I’ve paid for that woman’s shame Still I’m waiting for that knock upon my door I am the son of no one There are others just the same Past memories are tainted By poverty and pain No loved ones for to speak of Only shadows that remain Still I’m waiting for that knock upon my door Still I’m waiting for that knock upon my door Pray for me Forgotten, nobody’s child Pray for me Nobody’s child I am the son of no one Nobody’s for to claim No father and no mother To whom I owe my name It’s a thousand times and over I’ve paid for that woman’s shame Still I’m waiting for that knock upon my door Pray for me Forgotten, nobody’s child Pray for me Nobody’s child (rpt)
4.
I Missed the Boat I’m stuck stood where I stand I’m stuck stood where I stand Will need to find another way Or I’m on dry land another day I missed the boat today I missed the boat today I missed the boat today I’ll sit and wait right here I’ll sit and wait right here I will sit and wait right here Tomorrow it is drawing near I missed the boat today I missed the boat today I missed the boat today I missed the boat today I missed the boat today I missed the boat today I missed the boat today I won’t reach the other side (I won’t reach the other side) No I can’t reach the other side (I can’t reach the other side) I won’t reach the other side (I won’t reach the other side) No I can’t reach the other side (I won’t reach the other side)
5.
The Posie 04:02
The Posie O love will venture in where it daurna weel be seen, O love will venture in where wisdom aince has been; But I will down yon river rove, amang the woods sae green, And a' to pu' a posie to my ain dear May. The primrose I will pu', the firstling o' the year; And I will pu' the pink, the emblem o' my Dear, For she is the pink o' womankind, and blooms without a peer; And a' to be a posie to my ain dear May. The lily it is pure, and the lily it is fair, And in her lovely bosom I'll place the lily there; The daisy's for simplicity and unaffected air, And a' to be a posy to my ain dear May. The woodbine I will pu' when the e'ening star is near, And the diamond draps o' dew shall be her een sae clear; The violet is for modesty which weel she fa's to wear, And a' to be a posie to my ain dear May. I'll tie the posie round wi' the silken band o' luve, And I'll place it in her breast, and I'll swear by a' abuve, That to my latest draught o' life the band shall ne'er remove, And this will be a posie to my ain dear May.
6.
Let Ramensky Go There was a lad in Glesga town, Ramensky was his name
 Johnny didnae know it then but he was set for fame
 He did a wee bit job or two he blew them open wide But they caught him and they tried him And they bunged him right inside Alley-ee alley-ay alley-oo alley-oh
 Open up your prison gates 
and let Ramensky go
 
And when they let him out he said he'd try his best but then
 He yielded tae temptation and they bunged him in again
 Now Johnny hit the headlines, entertained the boys below
 When he climbed up tae the prison roof and gave a one-man show
 But when the war was raging the brass-hats had a plan
 Tae purloin some information, but they couldnae find a man
 So they nobbled John in prison, asked if he would take a chance
 Then they dropped him in a parachute beyond the coast of France
 And when the war was over, they shook him by the hand
 For stealing secret documents frae the German High Command 
So Johnny was rewarded for the job he did sae well
 They granted him a pardon frae the prison and the cell
 But Johnny was in error when he tried his hand once more
 For they caught him at a blastin', and it wasnae worth the score 
The jury pled for mercy, but the judge's voice was heard “Ten years without remission, and that's my final word” Ten years, my lord, that's far too long, wee Johnny cried in vain
 For if you send me up for ten I'll ne’er come out again
 Oh give me another chance, my lord, I'm tellin' you no lie
 For if you send me up for ten I'll sicken and I'll die
 Now Peterheid's a fortress, its walls are thick and stout
 But it couldnae hold wee Johnny when he felt like walking out
 Five times he took a powder, he left them in a fix
 And every day they sweat and pray in case he makes it six

7.
When a Knight Won His Spurs When a knight won his spurs, in the stories of old, He was gentle and brave, he was gallant and bold With a shield on his arm and a lance in his hand, For God (or love) and for valour he rode through the land. No charger have I, and no sword by my side, Yet still to adventure and battle I ride, Though back into storyland giants have fled, And the knights are no more and the dragons are dead. Let faith be my shield and let joy be my steed Against the dragons of anger, the ogres of greed; And let me set free with the sword of my youth, From the castle of darkness, the power of the truth.
8.
Annie Laurie 02:56
Annie Laurie Maxwellton braes are bonnie, Where early fa's the dew, And 'twas there that Annie Laurie Gave me her promise true. Gave me her promise true, Which ne'er forgot will be, And for bonnie Annie Laurie I'd lay me doun and dee. Her brow is like the snawdrift, Her neck is like the swan, Her face it is the fairest, That e'er the sun shone on: That e'er the sun shone on, And dark blue is her e'e, And for bonnie Annie Laurie, I'd lay me doun and dee. Like dew on the gowan lying, Is the fa' o' her fairy feet: And like winds in summer sighing, Her voice is low and sweet: Her voice is low and sweet, She's a' the world to me, And for bonnie Annie Laurie, I'd lay me doun and dee.
9.
The Gretna Girls We cam tae the factory when the war it was far from being over Oor troubles we packed up, we would dae oor bit for a’ the boys a far Big cities and wee toons and fae a’ the country roon Here come the Gretna girls! Lodgins we did share, in the hostels firm friendships they were founded But for a’ the times o’ joy the 12 hour shifts were there tae keep us lassies grounded For country and for king, ammunition we would bring Here come the Gretna girls! The labour it was hard, the cordite polluted oor lungs Hair and cheeks once rosy the colour of yella often turned But for ten times the pay we would work another day…
10.
Come Spend a While Wi’ Me Dae ye see yon mountains rise 
 'Neath the vast eternal skies 
 An' the world turns roun’ an' the sun gans doon 
 Afore your very eyes 
 An' the clock will no' turn back 
 So come on we'll hae the craic 
 Aye we'll hae oor fun, e'er this nicht is done 
 Come spend a while wi me Chorus: Come spend a while wi’ me 
 For your ay’ guid company 
 Aye an’ wha kens when we’ll meet again 
 An’ wha kens whaur we’ll be 
 We’ll lift oor hearts an’ sing 
 While the pipes an’ fiddles ring 
 And we’ll lift oor heels tae the jigs an’ reels 
 Come spend a while wi’ me Well Davie’s songs were braw 
 Aye an’ Davie’s craic an’ a’ 
 But there’s mony have gone as the years roll on 
 An’ Davie’s noo awa’ 
 An’ the circle never ends 
 So we’ll drink tae absent friends 
 Aye we’ll raise a glass tae them that’s passed 
 Come spend a while wi’ me We work and eat and sleep 
 Just tae earn oor meager keep 
 And the stress and strife o’ oor daily life 
 Is the harvest that we reap But ye only get one chance 
 So come on and join the dance 
 Come forget your woe, let the music flow 
 And spend a while wi’ me

about

Since winning the BBC Young Traditional Musician of the Year title in 2015, folk singer Claire Hastings’ debut album Between River and Railway has been hotly anticipated. The album features exciting arrangements of traditional folk songs alongside Claire’s self-penned material.

One of the best Scottish releases this year in any musical genre' ALAN MORRISON

‘An exquisite album’ SONGLINES

‘A great album’ MIKE HARDING

'Throughout the album, whether Claire is singing in the tradition, about her home, sharing life experiences or interpreting the works of Robert Burns and William Douglas, there’s an enduring sense of beauty, in both vocals and music.' FOLKWORDS

credits

released April 29, 2016

Recorded at Carrier Waves, Glasgow

Vocals/ukulele: Claire Hastings
Guitar/BVs: Jenn Butterworth
Fiddle: Laura Wilkie
Accordion: Andrew Waite
Bass: Duncan Lyall
Percussion: Martin O'Neill

Producer: Ali Hutton
Recording engineer: Keir Long
Mixing engineer: Andrea Gobbi
Mastering by Stuart Hamilton at Castlesound studios.

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Claire Hastings Glasgow, UK

Claire Hastings is a Scottish folksinger/songwriter based in Glasgow.

BBC Radio Scotland’s Young Traditional Musician of the Year in 2015

Those Who Roam released 18.01.19

'A unique and original talent' (Maverick)

Hastings’ talents not just as a musician but as a compelling storyteller were obvious (The Herald)

www.clairehastings.com
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